In 1955, it’s regular Biff and he has to commander a makeshift skateboard in 2015, he has to run away from Griff by commandeering a girl’s Hover Board in 1885, he tries to run away on foot from Buford “Mad Dog” Tannen and his posse, but fails.
One of the most obvious parallels comes when Marty has to run away from some version of Biff. At the same time, Marty has to deal with being in a different but familiar Hill Valley, which often involves him looking at things that are paradoxically familiar and foreign all at once. In each movie, he is sent to a different time period than his own and runs into some version of Biff Tannen (Biff himself, a grandson, or ancestor). All three movies involve Marty McFly interacting with his family, either in the past, present, or future. One of the best examples of parallelism in film is the Back to the Future trilogy, which almost hinges upon parallelism. That said, visuals can help drive home just how parallel something is in your story. As it is strongly tied to literature, parallelism can be understood in a storysense without the need for visuals. There is no better way to showcase parallelism than to talk about it.
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